Paul Hibbard

SCREAM (2022) – Film Review

reset and needed to tie back into the first and that the sequels are all "inferior"- a direct quote from characters talking about the thinly-veiled Stab sequels. Progressiveness was always at the forefront of this property, not a need to Make Scream Great Again, and take the franchise and give it the same treatment as sputtering franchises that need these rebootquels. This feels like it was made by the kind of movie watcher who always says without much thought that "the first is always the best" and "the book is always better", when that is not always the case.

CENSOR – Film Review

Censor is, at its heart, a very anti-censorship movie. Bailey-Bond makes it clear that the censors are the weak, and as for any problems with violent films and their approach to women, Bailey-Bond seems to know the answer isn't to censor, but rather, more women like her getting behind a camera and making more movies like Censor.


The beginning of Halloween Kills feels like the final nail in the retcon of the original Myers sequels... what you have is something designed to kill and becoming stronger because a divided community is destined to argue with each other instead of coming together. Sound familiar?